While emphasizing good social status was important for all painters during the Renaissance, it was especially important for females whose self portraits were often the first image seen by their future husbands. Since Renaissance women weren’t always in control of how they were portrayed in art (women were often depicted by male artists), I like to see how a female artist represented herself when she did have control over her image. which could be re-hosted? The placement of a maidservant behind her, along with her richly colored wardrobe also helped to convey Fontana as financially stable. Perhaps Fontana truly valued virginity before marriage.. or perhaps she thought it was an absurd, sexist concept. 4a.7, p. 64).Created as a marriage portrait for her … See more ideas about fontana, female artists, portrait. Explore. L’autoportrait suppose en principe l’utilisation d’un miroir, instrument qui se développe à partir du XVe siècle. Lavina Fontana naît le 24 août 1552 à Bologne. Ms. Celalettin has written back to me just now and this is what she has to say: Thank you for reaching out to me and for the condolances, Hasan Niyazi is my brother. Thank you for your citation and information. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. “Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture.” History Workshop. She continued on to create devotional pieces in larger scale and was successful until her death in 1614 at the age of 62. Dear Ms. Celalettin, Mar 27, 2016 - Lavinia FONTANA, Portrait d’homme assis feuilletant un livre, dit Portrait du sénateur Orsini.JPG Lavinia Fontana’s portrait of Antonietta Gonzalez c. 1595. 6 Name also appears in art history texts as Alonso Chaçon and Alfonso Chacon. In the meantime, I would like to make this post I wrote available again, in Hasan’s memory. Voir plus d'idées sur le thème femme peintre, peintres italiens, peintre. Lavinia Fontana, The Holy Family with Saint Catherine of Alexandria, 1581. Find more prominent … 25. Lavinia Fontana. Lavinia Fontana est l'unique enfant de Prospero Fontana et d'Antonia de' Bonardis. (10). She is one of my favourites! D.874.15 À la fin de la Renaissance, Lavinia Fontana est une artiste réputée et l’une des toutes premières femmes Babette Bohn says that due to this, “it is less common to find 16th century artistic self portraits that explicitly identify their subjects’ artistic vocation.” (2) Palettes, brushes, drawings, and easels rarely appear. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? 18.2 (2004): 239-86. Or maybe improving an existing one? Fontana looks confident and comfortable in her environment, even though this is the only self-portrait from the sixteenth century in which a female is seem studying the antique nude. My very best wishes to you and please accept my condolences on your loss, Robert H. Consoli Biography Lavinia Fontana was born in Bologna, the daughter of the painter Prospero Fontana, who was a prominent painter of the School of Bologna at the time and served as her teacher. 7 King, 73. I am currently in the process of restoring the content of 3pipe.net, I was lacking the technical knowledge but have now found someone to assist with that. Mr. Niyazi was a gifted art historian and researcher and made many contributions to the Fille du peintre maniériste, Prospero Fontana, c’est avec lui que Lavinia fait son apprentissage. I too, am very keen for his blog to be back online for educational purposes and for those who just wish to admire his work. Lavinia Fontana (Bolonia, bautizada el 24 de agosto de 1552-Roma, 11 de agosto de 1614) fue una pintora italiana del primer barroco.Fue una de las pintoras más importantes de su época, dirigió su propio taller  y fue pintora oficial de la corte del papa Clemente VIII.. Lavinia Fontana : le triomphe au féminin Un nouveau pas en avant s’accomplit sous le pinceau de Lavinia Fontana (1552–1614). Also, because this portrait would be presented next to Sophonisba’s, Fontana most likely attempted to keep up with or even outdo her contemporary. Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. She can’t be helping Lavinia, because in that case the music would stand before the eyes of the player, so what then? L’artiste se dépeint donc non pas comme telle mais exerçant une autre Thank you very much again, it really touches me that there are so many people who have so much respect for him and his passion. Lavinia Fontana was born in Bologna, the daughter of the painter Prospero Fontana, who was a prominent painter of the School of Bologna at the time and served as her teacher. Lavinia Fontana: Autoportrait au clavecin 1577 Huile sur toile - 270 × 240 mm Accademia Nazionale di San Luca, Rome . (3). Washington: DC: New Academia, 2009). A la différence de sa consoeur ainée, spécialisée dans les portraits, elle exécutait des grandes commandes publiques aux sujets mythologiques et … Continuing the family business was typical at the time. Auto-portrait à l’épinette, Lavinia Fontana, huile sur toile, 1577, Rome, Accademia Nazionale di San Luca . Once again, Fontana is careful in how she has presented herself (in order to meet societal expectations). Renaud Camus has uploaded 25965 photos to Flickr. Lavinia Fontana. For more information, see Liana De Girolami Cheney, et. Lavinia Fontana (née en 1552 à Bologne, morte en 1614 à Rome) est issue d’une famille bolonaise. I’ve never considered the role of the servant very much, beyond how she functions as a symbol of status. Few artists, especially women artists, would risk expressing their true feelings in writing. Murphy says, “a love knot has been placed on the keyboard, which could also point to a context of betrothal. We do not wish to appropriate his content; merely to see his Her face, which looks forward openly, has strong features and clear skin. Grace Reff They attempted to establish painting as a liberal art rather than a superfluous artistic hobby. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Lavinia Fontana (Bolonia, bautizada el 24 de agosto de 1552-Roma, 11 de agosto de 1614) fue una pintora italiana del primer barroco. I will let you know if anything comes of it. XVIIIe 14siècles, notamment chez Sofonisba Anguissola , Lavinia Fontana (fig. She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. Vintage Art. Perhaps his content could be displayed again on his web site She was a skilled portraitist and was often commissioned by weathly members of the Bolognese elite to create portraits to commemorate influential moments in their lives. Also, this uncertainty protected her from the “perception, inherited from her father, of the greater regard for scholars than for artists in Bologna.” (19) She is shown in a position which sends the message that she is inspired by both intellectual and creative activity. There, she thrived again with the upperclass and formed strong bonds with many noblewomen in her district. Renaud Camus has uploaded 26082 photos to Flickr. Emma Barker, Nick Webb, and Kim Woods (London: Yale University Press, 1999), 72-74. Fontana’s dress, “with its slashed sleeves, her huge lace collar and heavy gold cross… ensure her appearance as a gentildonna, and thereby could reflect a social parity with Anguissola.” (22) The dress is on par with that of her outfit in her Self Portrait at the Keyboard, but more truly reflects the artist’s passions and career. 19.1 (1998): 3-8. (15) However, Fontana’s self portrait provides an allusion to artistic labor, with the placement of the easel behind her, a reminder of her artistic background and interests. Fue hija del pintor Prospero Fontana, pintor de la escuela de Bolonia, que le enseñó el oficio. Voir plus d'idées sur le thème peintres italiens, femme peintre, mode renaissance. Previously, in 1998, I presented a lecture to an international symposium at the National Museum of Women in the Arts, Washington, D.C. (May 9, 1998) on “Lavinia Fontana’s Self-Portraits,”where I unveiled this symbolism. firstname.lastname@example.org. We have learned that his web site has now been taken down and the On 17 October 1578, Dominican scholar Alfonso Ciacón wrote to Fontana and requested her portrait; Ciacón intended to publish an engraved gallery of 500 portraits of respected scholars, artists, and statesmen.6 No doubt Fontana felt honored to have her portrait be included in this engraved “gallery.” Fontana sent this portrait to Ciacón in 1579, but the book of engravings was never published. erudition on display again for those who knew him and for those who have yet to come into It is not until Lavinia Fontana’s Self Portrait at the Keyboard of 1577 and shortly after, her Self Portrait in the Studiolo from 1579, that the first portrait directly referring to the artist’s vocation, artistic labor, appears. Therefore, painting is to be preferred to all other occupations.” (1), Throughout the Renaissance, artists struggled with how to maintain a social and intellectual status through their profession. Thank you for making the corrections. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Selle eelvaate suurus: 524 × 600 pikslit. Découvrez vos propres épingles sur Pinterest et enregistrez-les. Your footnote no. 4 King, p. 67. Hi Dilshat! Vintage Mickey Art For instance, my mother and women of her generation still signed their names as Mrs. Husband’s Name, as if they were subsumed by their marriage. If you are interested in seeing information about the remaining three self-portraits which are not discussed in this post, see article by Bohn. wide circle of his admirers. Web. Née à Bologne en 1552, Lavinia Fontana étudie la peinture maniériste auprès de son père, Prospero Fontana (1512 env.-1597), représentant mineur de l'école bolognaise. Thank you for your comment. Fontana visually manifests this care by not only stressing her virginity, but by appearing in modest red dress that suggests marriage (red was the traditional color for wedding dresses in Bologna).5, Lavinia Fontana, “Self Portrait In a Tondo,” 1579. Le cadeau a été envoyé à l'occasion de la proposition de mariage, célébré le 13 Février 1577. would potentially benefit. The following post first appeared on Three Pipe Problem in March 2011. . Did she welcome the idea of marrying into a high status family or did she find them pompous bores?
L'attention qu'elle porte au détail rappelle le travail d'une autre représentante de la Renaissance originair… 1 Catherine King, “Italian Artists in Search of Virtue, Fame, and Honour c. 1450-c.1650,” in The Changing Status of the Artist, eds. There are five self-portraits by Lavinia Fontana that are known: four paintings and one drawing. Maybe the servant’s actions are less important in comparison to the fact that she is bringing printed music (i.e. (1988): 4-30. I also miss the enthusiastic emails, comments, and tweets that he would write. This painting, Self-Portrait at the Spinet (also called Self-Portrait at the Keyboard) was made in 1577 for Fontana’s future father-in-law, Severo Zappi.2 I think Fontana felt some pressure at this time, since she was marrying into a family which held a higher social status than her own.3 One senses that Fontana felt a need to emphasize her wealth and status by observing various elements in her painting: her lavish clothing, jewels, and a servant in the background.
Teised eraldusvõimed: 210 × 240 pikslit | 419 × 480 pikslit | 671 × 768 pikslit | 895 × 1024 pikslit | 4829 × 5527 pikslit. 2018 - Explorez le tableau « Lavinia Fontana » de Dieu Dorian, auquel 324 utilisateurs de Pinterest sont abonnés. Whether she is preparing to write or draw is not evident, but this ambiguity portrays her as artistic, intellectual and creative all at the same time. Autoportrait au clavecin (1577) Huile sur toile, 27 × 24 cm, Accademia di San Luca, Rome. Print. Although I appreciate your writing on Lavinia Fontana. I wrote about this painting on a guest post at Three Pipe Problem a few years ago, and I regularly use this self-portrait when I discuss Renaissance art with my students. 11 McIver, Katherine. Biographie. Biography. 14 Simons, Patricia. 17 King, Catherine. (7), The musical instrument itself is a symbol both of love and financial status. Lavinia Fontana: Liste d'œuvres - Toutes les œuvres par date 1→10. 'Pine Cones' Self Portrait in the Studiolo was painted for Alfonso Ciacon in 1579. 244. She is regarded as the first female career artist in Western Europe as she relied on commissions for her income. Hello Monica, Ciacon was a Spanish Dominican theologian and scholar who lived in Rome. . Web. That might have been acceptable to van Gogh, but almost every other artist wanted acceptance, admiration and a steady income stream. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr.
Autoportrait. Lavinia Fontana’s Self Portrait at the Keyboard of 1577 Self Portrait in the Studiolo, 1579 Leonardo Di Vinci said, “Painting excels and is superior in rank to music because it does not perish immediately after its creation, as happens unfortunately with music. In translation, the inscription reads, “Lavinia virgin/maiden of Prospero Fontana has represented the likeness of her face from the mirror in the year 1577.” Isn’t it interesting that Fontana is emphasizing her virginity? Charles Rennie Mackintosh, 1925, RT @WMGallery: Are you thinking about learning a new skill during lockdown? (23) Still, historians and critics look to Self Portrait at the Keyboard and Self Portrait in the Studiolo as the primary self portraits of a woman who may have been the most talented professional woman portrait painter in Bologna. Italie, 1552-1614. In fact, the painting could be viewed in its entirety as a love knot– as a gift for the bethrothed.” (8) The expensive musical instrument suggests, perhaps falsely, that the Fontana family is financially stable, if not downright wealthy. I would like to examine two of these self-portraits, including my own ideas with those that have been previously presented by Catherine King and Babette Bohn.1 I think these two portraits are quite revealing in terms of what Fontana felt was important to communicate about herself. Lavinia Fontana, Autoportrait (1588) Une autre artiste (re)connue s’adonne aux autoportraits délégués : Lavinia Fontana. The red knot that is placed on the instrument was a symbol of love and betrothal at the time, which can also tie into Fontana’s interest in maintaining social decorum. Découvrez vos propres épingles sur Pinterest et enregistrez-les. On the other hand, the musical instrument also indicates an awareness of the relationship between musical talent and artistic capability. The inscription behind Fontana reads, “Lavinia Virgo Prosperi Fontane/Filla Ex Speculo Imaginem/Oris Sui Expressit Anno/MDLXXVII” or “Lavinia the Virgin Daughter of Prospero Fontana depicted herself from a mirror in the year 1577.” (5) Descrbing herself as a virgin was particularly important to Fontana here, as this “a marriage portrait where her chastity was an essential quality in her recommendation as a wife.” (6) The reference in the inscription to a mirror indicates, perhaps, her honesty in her portrayal of self, but may also allude to the art of self-portraiture. 2014 - Découvrez le tableau "Lavinia Fontana" de Mori Mori sur Pinterest. Cantaro, Lavinia Fontana Bolognese 'pittora singolare' 1552-1614, Rome, 1989, no. Jun 20, 2018 - This Pin was discovered by Emily Aqualime. I believe it correct that your brother, Hasan Niyazi, owned a web site called 3pipe.net. Washington: DC: New Academia, 2009). Lavinia Fontana, autoportrait; ca. Los Angeles County Museum of Art, Los Angeles, CA. Hello Monica, Nov 26, 2018 - Explore Gordana Kotur's board "lavinia fontana" on Pinterest.
I have seen the “wedding” portrait first time several months ago, and was intrigued by the role of the servant. I hope Lavinia was able to continue to express her individuality in spite of societal obligations. Re your note that Fontana was careful in how she had presented herself, in order to meet societal expectations. . Lavinia Fontana, Self-portrait at the Clavichord with a Servant, 1577. Renaud Camus has uploaded 25646 photos to Flickr. (11) While there is no evidence that Fontana actually played a musical instrument, her choice to include the keyboard “elevated herself from dilettante to professional… from one who practices a craft to someone with skills equal to that of the musician, poet, writer, and philosopher.” (12) This helped, too, with elevating her social and economic status in Renaissance society. This site focuses on her portraits. Lavinia Fontana (1552–1614), Self-Portrait at the Clavichord with a Servant, 1577, oil on canvas, 27 x 24 cm, Rome, Accademia di San Luca. Art. Dec 9, 2014 - ‘Portrait of Antonietta Gonzalez’ was created in 1595 by Lavinia Fontana in Mannerism (Late Renaissance) style. 58.3 (1995): 381-406. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting.
2012. I have written the following e-mail to Hasret Celalettin of Latrobe University in Australia. Quand elle épouse, en 1557, le peintre Gian Paolo Zappi, son talent est déjà reconnu et elle réalise les portraits de notables de Bologne. The present picture is a fine studio replica of the earliest known self-portrait by Lavinia Fontana, painted in 1575 and now preserved in a private Roman collection (M.T. Lavinia Fontana was an Italian painting who was known as the first female painter to paint female nudes. The red knot that is placed on the instrument was a symbol of love and betrothal at the time, which can also tie into Fontana’s interest in maintaining social decorum. Fontana presents herself as a confident and fairly attractive woman. Hels says: October 6, 2014 at 1:53 pm. Thank you for this interesting post about Fontana’s self-portraits. She manifests her scholarly pursuits (she’s not just a mere “craftswoman”) by showing herself among anatomical casts and classical statuettes. Lavinia Fontana (Bologne 1552 – Rome 1614) Vénus et l’amour 1592, Huile sur toile l Dépôt de l’Etat, 1874 l Inv. (16) He owned what he called a museo, which in essence, was a gallery of five hundred illustrious women and men of the time. Lavinia Fontana. Note … New Haven: Yale University, 1989, 35-37. Fontana also chooses to emphasize her accomplishments and abilities: she is playing an instrument and her easel is distinctly placed in the background. . Print. Follow the links above for analysis and research on specific paintings. Influenced by painters such as Ludovico Carracci and Sofonisba Anguissola and a practicer of Italian mannerist style, Fontana became highly successful with her detailed and delicate portraits. Autoportrait avec un chien (Autorretrato con Perro Itzcuintli) a été réalisé en 1938 par la peintre mexicaine autodidacte Frida Kahlo (1907-1954), … • 1577 : Autoportrait au clavicorde accompagné d'une servante, Accademia Nazionale di San Luca, Rome. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? The inscription in the right-hand corner of her portrait states: “Lavinia Fontana married into the Zappi family made this 1579.” In fact, this reference to her marriage was advantageous not only for purposes of societal decorum, but also a way to emphasize her social status, since the Zappi family held a comparatively high status in society. This portrait is a tondo painted on copper (1579) and was created expressly for placement in a collection. Lavinia Fontana se forme dans l'atelier de son père, où elle rencontre . She has strong posture and her eyes gaze directly forward to the viewer. Of course, she marks the high status of Lavinia, but what exactly is she doing with musical sheets? 4 Jul. community of his many admirers would very much like to see it restored in some form. (20) Her confidence and use of male statuettes “re-defines the feminine” and confronts taboos. Later, it is believed that Fontana referenced herself in two more paintings: as Judith in Judith with the Head of Holofernes in 1600 and in a Madonna and Child with Five Saints from 1601, where she is portrayed as St. Barbara. 1600. Commission yourself a portrait today! The self-portrait by Fontana that interests me the most was painted just two years after Fontana’s wedding portrait. This month marks one year since my friend Hasan Niyazi, blogger from Three Pipe Problem, unexpectedly passed away. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. Lavinia FONTANA, "L'homme sauvage" Histoire & Image, L2 Histoire Lyon Nous traiterons ici, à partir du portrait de Tognina Gonsalvus peint par Lavinia Fontana, de la vie de l'artiste et de la signification du tableau, aussi en le replaçant dans une plus large perspective des représentations de ces raretés de la nature, mi-hommes mi-animaux, dont l'iconographie est remplie à l'époque moderne. New Haven: Yale University Press, 2003. Renaud Camus has uploaded 25965 photos to Flickr. -Self Portraits- -Noblewomen- -Gozzadini Family Portrait- -Tognina Gonzales- -Extended Bibliography-
Lavinia Fontana, Autoportrait au Clavicorde avec un serviteur, 1577. She was trained by her father Prospero Fontanawho was a teacher at the School of Bologna. She wears a dress in the traditional color of Bolognese wedding dresses and is covered in coral, gold and pearled jewelry. Née à Bologne en 1552, Lavinia Fontana étudie la peinture maniériste auprès de son père, Prospero Fontana (1512 env.-1597), représentant mineur de l'école bolognaise. Do you, by chance, have any ideas? Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. email@example.com, Lavinia Fontana’s Self Portrait at the Keyboard of 1577, Leonardo Di Vinci said, “Painting excels and is superior in rank to music because it does not perish immediately after its creation, as happens unfortunately with music. Discover (and save!) Lavinia Fontana (August 24, 1552 – August 11, 1614) was a Bolognese Mannerist painter active in Bologna and Rome. Lavinia Fontana va juste après Sofonisba Anquissola dans la liste des célèbres peintres de l´époque de la Renaissance. Vers la fin des années 1570, la jeune fille se fait connaître dans la ville par ses portraits, notamment l'Autoportrait au clavecin (1577, académie de Saint-Luc à Rome) et le très formaliste Famille Gozzadini (1584, pinacothèque de Bologne). With good wishes, Liana. “Looking a Sight: Sixteenth-Century Portraits of Woman Artists.” Zeitschrift für Kunstgeschichte. The red knot is also discussed in Caroline P. Murphy, Lavinia Fontana: A Painter and her Patrons in Sixteenth-century Bologna (New Haven and London, 2003), 41–3. 5 is Autoportrait (1600), Lavinia Fontana Minerve s'Habillant (1613), Lavinia Fontana Envoyer par e-mail BlogThis! She was born in Bologna, the daughter of Prospero Fontana, who was a painter of the School of Bologna. http://www.squinchpix.com Lavinia Fontana (August 24 1552-August 11 1614) was an Italian painter.. contact with his thought. My problem is that it is difficult for us to establish what the artist’s true values were.
Leonardo on Painting. He is sorely missed. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? À 25 ans, en 1577, Lavinia Fontana épouse un peintre mineur Gian Paolo Zappi d'Imola, qui arrête sa carrière pour devenir son assistant. L'auto-portrait a été peint par Lavinia Fontana donner à Saverio Zappi, son futur beau-en fait, elle a épousé en 1577 Giovan Paolo Zappi, appartenant à une famille noble d'Imola. Lovely tribute, I hope Hasan’s blog comes back online at some point! Along these lines, as a female blogger, I sometimes find myself concerned with how I portray myself in writing. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? 24 sept. 2020 - Explorez le tableau « Lavinia FONTANA ( 1552 - 1614 ) » de CLODROCK, auquel 150 utilisateurs de Pinterest sont abonnés. at the time and served as her teacher. Guest post by Katherine A. McIver, Professor Emerita of Art History, University of Alabama at Birmingham Thinking about the upcoming exhibition at the Prado, Madrid (October 2019) celebrating the Renaissance women artists Sofonisba Anguissola (1532–1625) and Lavinia Fontana (1552–1614) prompted me to revisit the self-portraits painted by these two women. My discussion of the red knot came from the Caroline Murphy text (2003) that I mentioned in the fifth footnote, but she must have gotten that information from your previously-published/presented work. Lavinia Fontana est l'unique enfant de Prospero Fontana et d'Antonia de' Bonardis. 29 mars 2018 - Cette épingle a été découverte par Dmitriy Makeev. I thought that this month I would post one or two of the guests posts that I wrote for Hasan’s blog. “Lavinia Fontana’s “Self-Portrait Making Music’.” Woman’s Art Journal. (4) Self Portrait at the Keyboard was a painting produced by Fontana for her future father-in-law, Severo Zappi. As an art historian who is interested in female artists, I am particularly intrigued by the way that Lavinia Fontana chose to depict herself in self-portraits. I appreciate your taking the time to let me know. all, Lavinia Fontana’s ‘Self-Portrait’ and Gender.”, RT @geminicat7: ✨ Until tomorrow ...